Forgotten Toolbox — Sculptural assemblages by William Parker

I am William Parker, a carpenter and furniture maker based in Aberdeenshire, Scotland. After a lifetime working with timber, traditional tools and practical construction, I have developed a body of one-off sculptural work that brings together craftsmanship, reclaimed materials, surrealism and visual storytelling.

My sculptures begin with familiar objects: hammers, spanners, nails, saws and other tools that have already lived a working life. Rather than restoring them to their original purpose, I give them new identities and unexpected relationships. A hammer may find itself on the receiving end of a nail; a group of tools may appear to develop a life of their own. Through these altered relationships, ordinary workshop objects become characters in small, carefully constructed narratives.

Humour is often present, but there is usually something more beneath the surface. My work explores themes of power, conflict, resistance, belonging and the reversal of familiar roles. I want the viewer to recognise the objects, notice that something is not quite right, and then discover the details that give each piece its own character. I prefer to leave room for interpretation rather than explain every part of the story.

My background as a carpenter is fundamental to my practice. I approach each sculpture as a maker, considering balance, structure, materials and how the individual elements work together. The wear, marks and imperfections accumulated during an object’s previous life are part of its character, so I retain them wherever possible. Each piece is individually conceived and handmade, with no editions or repeated designs.

I see these works as a meeting point between craftsmanship and imagination: familiar objects transformed into something unexpected, with a new identity and a story of their own.

Exhibitions, galleries and publications

My sculptural work has been exhibited at Espacio Gallery in London as part of PRESENT TENSE and FREEFORM. These exhibitions have provided opportunities to present my work to a wider audience and explore how familiar workshop objects can be transformed through sculptural assemblage, humour and unexpected visual narratives.

My work was previously accepted by Cullen Galleries in Aberdeenshire. My work has also featured in special editions of the art magazine Shadows & Monsters and also the art magazine Forgotten, bringing my sculptures to an editorial audience beyond the gallery.

Two of my works, Feeding Time and Out of Kilter were selected for inclusion in CISTA ARTS’ online exhibition *Signs of Use* which ran during November 2026. The exhibition presented the selected works on the CISTA ARTS, website and promoted participating artists through it’s online platforms and exhibition catalogue.

My application to Saatchi Art has been accepted, and selected works are available through the platform as my online collection is established.

Canwood Gallery has expressed interest in showing a selection of my sculptures in a forthcoming exhibition season. This is an encouraging development in the continued presentation of my work to new audiences.

The idea behind Forgotten Toolbox

The name Forgotten Toolbox reflects the starting point for much of my work: tools and materials that have been discarded, overlooked or left behind. Their original purpose may have ended, but their character and possibilities remain.

I make unique sculptures in my workshop in Aberdeenshire, Scotland. Each piece begins with the material, develops through hands-on experimentation and finishes as an object with a new identity of its own.

My aim is simple: to take something familiar, change the way it is seen, and create a moment of surprise, recognition or amusement.